Browse Tag

kpop

INFINITE – ‘New Challenge’ album review: So in love

After a very busy 2011, which truly paid off for the boys, 2012 only saw one album release from INFINITE as a group. Busy as they were with other promotions, the end of last year saw member Sungyyu go solo with an impressive mini-album (“60 Seconds” and “Shine” were both brilliant songs!). Early 2013 saw Infinite H release a rap album (which I was quite disinterested in).

Being my favourite K-pop boyband, INFINITE’s comebacks are very high on my radar. I was pleased to know they continue to work with Sweetune, the producers responsible for every hit song of INFINITE since debut, and eagerly awaited to hear “Man in Love”.

Here’s a track-by-track review:

01. “Welcome to Our Dream (Intro)” – This sounds like the music you hear in some Japanese RPG.

02. “Man in Love”

Sweetune are now in the same league as Brave Brothers in the world of K-pop production. Hit after hit, their popularity grows and the producers are at the call of every entertainment company seeking a potential hit song for their respective groups. And I bring this up because Sweetune’s productions have been sounding fairly uninspired off-late. They sound good, but not fresh. Too many projects means too many similar sounding productions. But like all major producers, they keep their best songs for the top few groups and pass on the leftovers to up-and-coming ones who just can’t cough up the money for the best the producers have to offer.

“Man in Love” sounds fresh, and yet, still maintains every element that makes a Sweetune song unique. Synth beats, 1980s-inspired keyboard hooks and the strums of guitar that are omnipresent in every Sweetune production for INFINITE. The song’s verses are evenly distributed and every member gets their chance to shine. The structure tries to be different but as with many Sweetune songs, the final chorus is sung in a higher pitch until end.

As good as the song is, the MV is just alright. Girls would appreciate it more, I guess. I’m a 31-year-old dude. But the one thing INFINITE has always impressed me with is their dancing, which is as in-sync as ever. That said, other than a few moves, “Man in Love”‘s choreography doesn’t feel as special as their earlier routines.

None the less, I’m in love with their comeback song and it will do the necessary wonders on the Korean charts. – 4/5

03. “As Good As It Gets” – Thumping beats for what sounds like a sped-up Christmas song. It keeps the tempo going soon after “Man in Love” and I found myself instantly clicking replay – which meant I liked the song upon first listen itself. – 3/5

04. “Still I Miss You” – Okay, time to slow things down. A mid-tempo ballad to remind us how great INFINITE’s vocalists are. – 3/5

05. “Beautiful” – Member Woohyun’s first composed song! It’s a nice trend I’m observing off-late. More and more K-pop idols are attempting to write and compose their own songs. Even though this track is album-filler material, it’s still a commendable attempt. – 2/5

06. “60 seconds” – This a group version of Sungyyu’s solo track. I don’t know, as much as the other boys do justice to their lines, I’m just used to Sungyyu carrying this song from start to finish. But considering how much I like this song as it is, it still gets a 3/5.

07. “Inconvenient Truth” – This is so ’80s! 🙂 Oddly enough, the lyrics are causing quite a stir among INFINITE’s fans. Apparently it’s a song about how a guy doesn’t appreciate his girl wearing super short skirts and the attention she gets from the other boys. Sexist or possessive as it sounds, interpret it as you wish. It’s just an okay song. – 2.5/5

INFINITE are now one of the top idol groups in South Korea — which they deserve to be. But sometimes I wonder when we’ll get to hear their signature song. Like what “Sorry, Sorry” is to Super Junior or “Lucifer” is to SHINee. “Be Mine” was their breakthrough single but I don’t consider it a ‘signature’ classic as INFINITE has produced many songs that were just as good as that.

Not that a signature song really matters, because in INFINITE’s case, “The Chaser” and “Man in Love” seem to be in the same vein as “Be Mine”. Overall, ‘New Challenge’ – their 4th mini-album – is an alright collection of songs with no real stand outs other than the lead single. And that’s nothing new in K-pop.

My final rating for INFINITE – ‘New Challenge’: 3 out of 5 (Good)

SHINee – ‘Chapter 1. Dream Girl – The Misconceptions of You’ album review

*whispers*SHINee’s back*whispers*

Although SM Entertainment announced last year that SHINee‘s comeback would come a few months after “Sherlock” was released, it didn’t happen. I guess they had a change of plan. And so – 11 months later – SHINee officially makes a comeback — in two parts.

Shinee Dream Girl album cover — Part 1 is ‘Dream Girl – The Misconceptions of You’

Let’s just get straight into the review:

1. “Spoiler” – No, they aren’t trolling you with the intro, which sounds exactly how “Sherlock” starts. Penned by member Jhong Hyun and cleverly containing all the titles of the songs in the album, the opening track is actually produced by Thomas Troelsen – the same Danish songwriter behind “Sherlock”. The chorus, although heavily processed, is the best bit. A recurring theme as you will see. – 4/5

2. “Dream Girl” – The lead single:

Oddly enough, I wasn’t blown away like I assumed I would be. I heard the audio when “Dream Girl” first released and thought it was just okay. A listenable track, yes, but nothing special. The chorus — which is what made “Sherlock” so good — is just okay this time around. The rest of the song also felt a bit plain.

But when the music video came out, I watched the dance version first — because I’m always more keen on seeing SHINee dance! Again, the choreography was… okay; and I didn’t like the song any better. It wasn’t until I watched the actual MV that I appreciated the song more. For once, SM produces a video that isn’t one of their typical box videos, and actually attempts to do something different this time around. With all the bouncing off the walls, waking up from their dreams and flickering outfits, I somehow enjoyed the song more with these visuals.

No comments on the pants though. A good song, but not a SHINee “classic” in my opinion. – 3/5

3. “Hitchhiking/히치하이킹” – Another strong chorus-driven song. When the album sampler hit YouTube, this was the first song that I fell in love with it. Funky instrumentation with a rap verse that doesn’t sound forced for once. Definitely one of my favourite songs on the album. – 4/5

4. “Punch Drunk Love” – SM describes this song as: “cute melody with the lyric that compares the feeling of being in love to the dizziness that comes after getting a punch in a boxing”. Okay. Adam Sandler’s movie of the same name aside, this song reinforces the vibe the album producers were going for throughout: 1970s funk. Another good song! – 3/5

5. “Girls, Girls, Girls” – After four songs more or less on the same tempo train, SHINee slows things down with this upbeat ballad. It’s a good song girls will sure love, but somehow it’s always noticeable how most Koreans pronounce it “gurls” 🙂 – 3/5

6. “Aside” – Another upbeat ballad reminiscent of a classic ’70s love song. The verses give way to a catchy chorus that is sure make it on to some OST. Really loving the songs on this album so far! – 4/5

7. “Beautiful/아름다워” – The second song I instantly fell in love with from the album sampler was this track. Again, because of the chorus! So very Michael Jackson (or The Jacksons), which should be obvious when you find out this song is composed by longtime MJ-producer Teddy Riley! – 4/5

8. “Dynamite/다이너마이트” – By now we should be expecting at least some album filler material, but I couldn’t write this song off simply because the chorus comes to the rescue yet again. – 3/5

9. “Runaway” – The final track on the album sounds different from everything else up to this point. The sound mixing enhances the boy’s natural vocals but other than that, this very much a K-pop track that I probably wouldn’t be listening to a whole lot after this review goes live. – 2/5

The one phrase I could use to describe this album is best summed up by Roxette’s greatest hits album ‘Don’t Bore Us, Get to the Chorus!‘. It couldn’t be more true for most of the songs on the tracklist. Just when you think the songs are worth skipping, the choruses make you reconsider. Although most of the tracks are composed by Thomas Troelsen and hitchiker, there’s still an overarching theme that is consistent from start to finish.

Clearly influenced by 1970’s funk and pop, it’s a refreshing sound in today’s electronic world, and no better suited than for SHINee. A group that showed how well they could pull off Michael Jackson-esque music with songs like “Juliette” years ago. SHINee’s vocalists (especially the powerful Jhong Hyun) can certainly pull it off in style.

That said, “Dream Girl” certainly isn’t a song I find myself going back to a lot. I still listen to “Lucifer,” “Sherlock,” “Replay” and Juliette” at least once a month. I doubt “Dream Girl” will join that playlist. As for the rest of album — hell yes! Another example where in the album tracks outshine the lead single. And if SM Enterntainment could cram in five to six great songs in this compilation, I can’t wait to see what they have in store when ‘Chapter 2’ comes out in April!

My final rating for SHINee’s 3rd full-length album ‘Chapter 1. Dream Girl – The Misconceptions of You’: 4 out of 5 (Very Good)

Rainbow – ‘Rainbow Syndrome – Part 1’ album review: DSP screws up another comeback

For a long time, Rainbow has been my second favourite K-pop girl group after SNSD. I didn’t care much for their debut single but it was the stellar “A” and “Mach,” both released in 2010, that won me over. I also find the girls very pretty and by the end of 2010, I assumed Rainbow would achieve stellar success in the coming years!

But they didn’t.

Rainbow’s 2011 comeback was disappointing and their company, DSP Media (the same folks behind uber-successful Kara), left them in the lurch for much too long. I felt really sad for the members. The girls never seemed to get a good break — be it in music or even on variety shows.

So when it was announced Rainbow would finally be making a comeback after a span of nearly 1 year and 7 months(!), I was overjoyed, but at the same time, worried. Knowing how often DSP have screwed up in the past, it was a cause for concern.

Here’s a track-by-track review:

01. “Golden Touch” – Such a straight ’80s-inspired pop song! From the beats, instrumentation and melody, everything about this song reeks 1980s-pop 🙂 (Did Sweetune work on this?). As dated as I may sound, it was quite refreshing to hear a song like this in Korean. All I could imagine were the members of Rainbow with hair-dos a la ’80s Madonna, ha ha! Love it! – 4/5

02. “두 눈을 감고 (Close Your Eyes)” – I wasn’t expecting a ballad this early in the tracklist, but here you go. Although the tempo feels a bit run-of-the-mill, I still found myself listening to it quite a bit. It may feel like a standard girly K-pop ballad, but track 2 raised my hopes up for the rest of the album. – 3/5

03. “Tell Me, Tell Me” – The much anticipated comeback single:

*Sigh* I’ll just say it. This song is just disappointing. My earlier worry about DSP screwing up have been proven right. “Tell Me, Tell Me” would have worked as a single… back in 2009-10 when a girl group debuted as a rookie! This is not a song worthy of a group like Rainbow and that too after making fans wait 1 year & 7 months for a comeback! It’s bland, uninspired, and choc-full of mediocrity. From the girl’s styling, to the music video’s set, and even the choreography.

Rainbow Tell Me Tell Me dance outfits mv screencap — Was DSP attempting a “Gee” for Rainbow?

Jaekyung – one of the hottest girls in K-pop – has in fact gotten gotten the worst hair treatment among the members in this MV. You would think with all the money DSP earns from Kara, they would invest in better talent to make their other artists look good. The outfits are plain, and I’m not sure Rainbow can pull off the “cute” concept at this stage of their lives. Jisook, Yoon Hye and the like, yes, but all of them as a group – no. Rainbow should have stuck with the mature concepts and kept “cute” for Rainbow Pixie – their sub-unit.

Anyway, I digress. To sum it up, “Tell Me, Tell Me” is a very forgettable track. – 2/5

04. “Cosmic Girl” – It’s not often I have listened to a K-pop comeback album and found another track better suited for a single release than the one that eventually did. This is one such track. Easily my pick for the “best song” on this album! Uptempo, funky, great chorus and a very good track in every sense. – 4/5

05. “나만 아는 너는 절대 모를 이야기” – Translated to “The Story Only I Know You Will Never Know,” this album-filler keeps the tempo going. Very reminiscent of a typical IU song, this isn’t a bad album-filler though. – 3/5

06. “In Love” – The final track is a sweet, saccharine finish to what has been a fairly uptempo album. It isn’t until this song you get to hear some of the girls hit the high notes, which was sorely missing for much of the album. – 3.5/5

It’s very rare I have liked the album tracks on a K-pop album more than the lead single, but this is unfortunately the case with ‘Syndrome – Part 1’. I scored every track higher than “Tell Me, Tell Me” because it really is the most boring song on the tracklist. Even as I was wrapping up this review, I kept replaying every track except “Tell Me, Tell Me.”

I know there’s a second part to ‘Syndrome’ coming and I have a hunch we may see an edgier concept for the next release. But why after such a long hiatus DSP thought “Tell Me, Tell Me” would work is beyond me. In my opinion, it only lessens Rainbow’s image on the K-pop scene. They had something going for them and now the girls are neither here, nor there. Sure, I loved their cutesy Japanese single “Candy Girls” — but at least that was a catchy song with some cute dance moves. “Tell Me, Tell Me” has nothing special going for it.

This isn’t the first time DSP messed up a comeback. After the stellar “Step,” Kara took a mis-step with “Pandora,” which wasn’t the girl group’s finest. And now, same is the case with Rainbow. I haven’t heard a great Korean single from Rainbow since “Mach,” and I can’t understand why it’s so hard for DSP to get it right.

Rainbow had as much a chance to be the next big K-pop girl group. Their name is synonymous, the girls are pretty, they have a sexy member, a cute member, a funny member, good-at-acting member, and everything else Koreans can get into. From strong vocals to rapping, I see nothing Rainbow lacks as a girl group. All that is lacking is DSP’s management of the group.

If Rainbow continues to flounder, it will all be DSP Media’s fault. I really hope ‘Syndrome – Part 2’ has a stellar single to raise the roof – because it’s what the girls need, badly! Rainbow’s “Gee” should have come by now. So whatever DSP has planned for Rainbow’s next comeback, they better make it fast. Rainbow has wasted enough time out of the limelight, and this comeback isn’t going to help win them many new fans.

My final rating for Rainbow – ‘Syndrome – Part 1’ is:

Rainbow Tell Me Tell Me Jisook kpop — A better album than a weak lead single