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JYJ – ‘In Heaven’ Album Review: Talk about emotions…

September is a busy month for Korean pop, and for good reason. The slew of comebacks from K-pop’s finest means a lot of new music, and for me, reviews of said music.

JYJ – Jaejoong, Yoochun and Junsu, the trio formerly of five-piece TVXQ, have just released their first Korean album. The three of them have had quite a dramatic struggle the last two years. Their fallout with SM Entertainment over “slave contract” allegations, the resulting reluctance of the major TV networks to allow JYJ to appear on their music shows and the many other irritating situations the group have faced recently. It’s hasn’t been smooth sailing for JYJ.

JYJ In Heaven album Junsu Jaejoong Yoochun kpop
I didn't like the offical album cover for 'In Heaven'... so I made this instead

But despite all the circumstances, it’s not like JYJ fans haven’t gotten glimpses of what the three of them have been up to. Two of them, Yoochun and Jaejoong, are popular actors appearing on dramas; the three of them have enough endorsements on hand to rake in the moolah, and JYJ have released three albums already — two EPs and one studio album. Unfortunately, their studio album was an English album for the global market. I say ‘unfortunately’ because it was very hard for me to listen to the songs keeping in mind how much they were struggling in stressing their accents. On top of that, the first single they released, “Ayy Girl” was… just… terrible! Kanye West made no difference to that song.

I hope JYJ learnt a valuable lesson with “The Beginning,” that just because you manage to bag big names from the American pop industry, doesn’t always mean you’ll get the best songs from them. And why turn to the West? Listening to ‘In Heaven,’ its apparent the three members are very capable of writing hit songs by themselves!

JYJ In Heaven new album promo photo sleeve members korean popHere’s a track-by-track review of the album ‘In Heaven’:

1. “Get Out” – An angst-filled track written by Jaejoong and Yoochun expressing the frustrations of a girl toying around with their emotions. The English isn’t perfect: “…but tonight I don’t need a damn explain” … but who cares, the song is catchy! With the “hey!” and “ho!,” this song will be a crowd favourite at JYJ concerts. My only gripe with “Get Out”? The “You will never find true love. Fuck you!” line. Really JYJ? Was the “Fuck you” really necessary? 🙂 Stay classy guys. – 4/5

Edit: The MV is out!

2. “In Heaven” – The title track, written by ‘man god’ Jaejoong, is undoubtedly the best track on the album!

In fact, it’s not just the best track on this album, it’s one of the best songs I’ve heard this year! I just can’t stop listening to this powerful ballad. Junsu’s and Yoochun’s vocals… man, one can truly feel the emotions cut through the skin when they sing! The above MV is poignant and melodramatic, but the song can stand well above all on it’s own. – 5/5

3. “Fallen Leaves” (낙엽) – This track was already in the EP Their Rooms “Our Story”. A slow, classic sounding ballad. Junsu wails through this song. After all, it is his song. He wrote and arranged it himself. – 3/5

4. “Boy’s Letter” (소년의 편지) – Another ballad written by ‘with-new-haircut-looks-like-Robert-Pattinson-from-Twilight’ Jaejoong. Soaring vocals and an epic score, this is a beautiful song about a boy professing his love for that special girl, but just can’t seem to gather up the courage to tell her sooner, and in person. – 4.5/5

5. “Mission” – After 4 stellar tracks comes this song — and what a change for the worse. I could barely make it past the first chorus. The song has a good violin hook, but it’s so repetitive, you get sick of it. Worst of all, and what really killed the song for me, were the lyrics for the chorus which are entirely in English:

“Mission make it mission, let’s go Mission, make it make it go,

I must go make it mission, let’s go mission, make it go,

I must go make it mission, let’s go mission, make it go,

I want u screaming,

JYJ verse 2”

Sorry, but those lines make absolutely no sense what-so-ever! When you are top class act, why is it so hard to consult a lyricist or producer – or just about anybody who is proficient in the English language? Especially when the writer (Junsu in this case) isn’t very fluent in English himself. It’s one of the things that really distracts me about a K-pop song — English lines that make no sense. Totally ruined the song for me. – 1/5

6. “I.D.S” (I Deal Scenario) – The production in this song just feels so amateur, and dated. Considering this track and “Mission” are from their last EP, it’s a valid remark. Written by ‘perfect jawline’ Jaejoong, this track is just pure album filler material. – 2/5

7. “Pierrot” (삐에로) – Written from the point of a pantomime character, ‘can he be anymore good looking’ Jaejoong writes about what it’s like to be a puppet under someone else’s control, and how he longs for his freedom. Hmm, I wonder what inspired him to write such a song 🙂 Another track from their Korean music book. – 3/5

8. “You’re” -Written by Junsu, the second last track on the album could have used a bit more punch in the beginning. But as the song progresses, the rap part (which I was surprised to know it was Yoochun), could have been longer, because he sounded awesome! – 3/5

9. “Nine” – The final track on the album, and yet another one from their EP. On the EP it was track number 2, and on this album it’s track number 9. Looks like they just dumped this track in to round it up. Nothing special. – 2/5

——–

To me, ‘In Heaven’ the album comes in two halves: one half, sounds more recent and has the production values you would expect in 2011. The other half, sounds like a collection of tracks that have been lying around for sometime and surely required some more work before they could have been deemed worthy to befit this album. Mostly the three from the EP Their Rooms “Our Story” – “Mission,” “I.D.S” and “Nine”. If they were going to re-use material, I would have instead liked a Korean version of better songs like “Empty” (from The Beginning). That song deserved to have been released as a single! (Ugh, “Ayy Girl”!)

All said and done, the three men that make JYJ worked on this album themselves. And like mentioned in my Jay Park ‘Take a Deeper Look’ album review, it’s something K-pop listeners really need to appreciate. From writing the lyrics to the music, Jaejoong, Yoochun and Junsu have pulled off something you won’t find many idol groups do — make their own music. And tracks like “Get Out,” “Boy’s Letter” and especially “In Heaven” are stellar, emotionally-wringed songs worthy of serious recognition.

But that’s the sad part. With the on-going reluctance to let JYJ perform on KBS, MBC and SBS, I wonder if the members will get the recognition — or more importantly, the year-end awards — “In Heaven” deserves.

Jaejoong dog their rooms EP photo

The album will sell well, there’s no doubt about that. Heck, if JYJ put out a collection of nursery rhyme covers, their fanatical and extremely supportive fanbase will pre-order them in the tens of thousands. That’s how loyal they are!

Because half of ‘In Heaven’ is filled with songs from their last EP, the scores average to a 3 out of 5. But stressing the fact the newer songs are far superior and showcase the writing talents of ‘man crush’ Jaejoong, Yoochun and Junsu, ‘In Heaven’ gets a final rating of 4 out of 5 from me.

I hope “In Heaven” does so well, the major networks have no choice but to give in and shower JYJ with the mainstream attention the group have been missing, because I seriously believe the more crap the industry throws at JYJ, their fanbase will only grow stronger and even more supportive.

The boys themselves are surely not going to give up! Their fight to the top is not over yet.

KARA – “Step” Review: Truly a step in the right direction!

Just like how I began my last review, I never thought I would be writing about KARA as well. Despite their fame and current status in K-pop land, I never took Kara seriously. I blame DSP Media for that. Kara’s company insisted on highlighting silly dances, especially after the success of the “butt dance” from “Mister”, and signature dances like that became Kara’s trademark.

As for the songs – “Mister,” “Lupin” and “Jumping” were all catchy enough to warrant their success, but those songs were never up to the calibre of say, SNSD’s hits — a group they are (strangely) often compared to.

KARA step album cover photos members kpop girl group
So have KARA stepped up with this comeback? After hearing the title track, oh YES!

When I first heard the audio for “Step,” it didn’t wow me right away. But after the first listen, the song interested me enough to make me want to hear it a second time. By the time the MV (music video) came out, I was officially hooked on the song!

“Step” is definitely the upgrade Kara needed. Everything from the song’s production, to the music video is top notch. As for the silly ‘signature dance’ department, DSP Media continues to insist on including another butt-shaking, hip gyrating move. It’s not as prominent, but I’m sure the girls will be asked to demonstrate it on variety shows. *shudders*

Anyway, the song. DSP used the usual words to describe it as “catchy” “electronic” “fun” “colourful,” etc. “Step” is all that, but the main reason why the song resonated with me is because of its strong 1980s-pop influence. From the synthesizer hook, the beats, the build-up to the chorus, the bridge… it all reeks of 80’s pop music.

Produced by Sweetune, the song writing duo (Han Jae Ho and Kim Seung Soo) who are responsible for pretty much every KARA hit so far, “Step” is their strongest single to date. It sounds different, and most importantly, fresh!

Kara Step MV screencap members fashion k-pop girl group
The girls have a lot to be cheerful about with this hit

The music video plays on the 80’s vibe with its neon colours and bright fashion. And aside from the ’round & round’ butt dance, I really like the rest of the choreography.

Therefore “Step,” the single, gets a strong 4.5 out of 5 from me. It’s a sign second tier companies like DSP Media are now racing ahead to reach the standards set by the giants of K-pop (SM, YG and JYP).

As for ‘Step,’ the album… I really didn’t feel like writing a track-by-track review because none of the other songs on the album really caught my attention. “Rider” feels over-produced, but good enough to warrant its second place in the tracklist. “Strawberry” is expectedly sweet, the chorus of “Follow Me” sounds ABBA-esque, “Date (My Boy)” sounds too J-pop — but is one of the better album tracks, and “I Am… (ING)” is just an acoustic version of this two-year old song. Which by the way is the only ballad on the album (I’m ignoring the bonus track), so you get to hear the girl’s strong vocals.

A good album for Kamilias (KARA’s official fanclub), but not good enough to make me want to listen to it again after this review goes live.

P.S: How thin is Goo Hara? You can see gaps even when she’s wearing a full body suit! 😀

U-KISS – ‘Neverland’ Album Review: I’m going to stop laughing at these guys

I never thought I would be writing about this group. I mean, U-KISS/유키스!  The boy band whose first two hits were catchy, but extremely repetitive hook songs like “Man Man Ha Ni” and “Bingeul Bingeul“. They followed it up with “Shut Up,” which featured one of the lamest dance choreography I’ve seen in K-pop. U-KISS, a band that’s has been poked fun at so many times for being “gay“. That U-KISS!

But you know what, I’m reviewing their music, not the members. And the music in their new album “Neverland” (their second full album)… well, call me impressed!

U-Kiss Neverland album review members kpop boyband
Don't know who is who... but I really don't care

U-KISS has seen line-up changes around three times since inception, with the most recent one being in February this year when members Alexander and Kibum were kicked outreplaced by AJ and Hoon. NH Media, U-KISS’s corporate overlords, didn’t waste anytime in pushing the new line-up in front of fans with the release of “0330” a month later. The ‘updated’ U-KISS seemed to showcase a different direction the boys would be heading. No more formulaic, repetitive monotone songs with lazy choreography, or so it seems.

U-Kiss Neverland new album covers K-pop boyband
So does the new album 'NEVERLAND' keep the new direction on the right path?

In January, when NH Media announced that U-KISS were going to prepare for an American debut, I scoffed at the thought. No way was a Korean boy band, least of all U-KISS, going to succeed with their style and their kind of music!

But listening to the songs on ‘Neverland,’ you know NH Media were serious about their US ambitions (though I hope they have come to their senses now). Many of the songs don’t sound like your average K-pop record. Here’s a track-by-track review:

01. “Intro” – 0:58 of nothing special

02. “Neverland” – The title track and main single:

If there’s a finer example of how one incorporates pure dance music and boy band pop, “Neverland” is it! It’s a fantastic single with great choreography, even though it is a bit heavy on the auto tune. (I’m not going to comment on the fashion or the wiping-fingers-down-face act, because it’s getting stale). Surely they must be some DJ out there already working on a remix of this song for the clubs!

The true test of how good this song is for U-KISS is when they perform it live. The video may not be anything special but I couldn’t help but hit replay as soon as the MV ended. It’s definitely one of my top K-pop songs of the year!  – 5/5

03. “Baby Don’t Cry” – Upbeat, synthesized chorus driven pop bliss! Makes me wonder if this was produced by a foreign producer. Edit: Produced by Ryan Jhun, who produced most of the album.  – 4/5

04. “Someday” – Listening to this, I couldn’t help but assume this is a kind of song one would find on a Westlife album! 🙂 Produced by Denzil Remedios, I wonder if this was one of the songs considered for U-KISS’s English debut. – 4/5

05. “Take Me Away” – The first ballad on the album and again, not the usual K-pop fare. Just when you think the instruments would keep piling on from the second verse  onwards, they don’t. Instead, it’s just the boys and their vocals that carry this song all through the end. A very good track, and I hope they get a chance to sing it live on the music shows. – 4/5

06. “On The Floor” – With a track title like that, it’s fairly obvious what to expect. This one is from the K-pop electronic dance pop music factory. Not bad, but nothing noteworthy. If you listen to K-pop regularly, you have heard this kind of music before. – 3/5

07. “A Friend’s Love” (친구의 사랑) – Officially in familiar K-pop territory now. The first ‘standard’ ballad on the album, but still a very a listenable track. KissMe*s are surely going to sing along to this chorus! – 3.5/5

08. “April Story” (4월 이야기) – When the song first starts, I wondered if they dropped another artist’s song in here by mistake! But no, the woman voice belongs to Brave Girls’ Eun Young and this ballad is a duet with Shin Soohyun. Standard OST fare, but a well sung track none the less. – 3.5/5

09. “Obsession” – Half the song’s lyrics are “You are my obsession…” and “Love equals obsession, obsession equals love” 😀 Erm, no thanks. I don’t think I’ll be listening to this song often. – 2/5

10. “Top That” – This song has traces of Timbaland’s “Carry Out” (featuring Justin Timberlake), so, one of those “inspired” tracks. – 2.5/5

11. “Tell Me Y” – While MBLAQ sang “Give it to my Yyyyy….” (which made little sense), U-KISS presents a brighter, piano-tinged, rap-filled track. Simple and one of the better album fillers. – 3/5

12. “We’ll Meet Again/다시 만나요” (U-KISS with Paran) – The first two & half minutes of the track are the boys of U-KISS and their labelmates (another boy band, but one that unfortunately never saw much success) Paran chattering and having fun. But as the laughter gives way, the final song on the album is an epic ballad, and a good one at that. A fitting end to the album. – 3.5/5

13. “Someday” (Instrumental)

—-

Until last year, U-KISS and B2ST to me were in the same lower tier of K-pop boybands. Silly, lyrically bland songs with lame choreography, and always inferior compared to the likes of SHINee, BIG BANG and DBSK. Yes, I know the latter are from two of the most famous entertainment companies, but SM and YG didn’t get to where they are today if they hadn’t gotten their formula right. They knew where to invest their money to produce the best, in every regard — from appearance to the music, they know quality!

That is not to say the smaller entertainment companies haven’t stepped up their game. B2ST matured in 2011 and won me over with “Fiction“. And now, U-KISS has made me take them seriously as well. NH Media seems to have figured out the ‘right formula’ with this album and given the boys the best they have released to date.

‘Neverland’ is easily one of the best K-pop studio albums an idol group has put out in 2011. Far better than the last album I reviewed — and that came from SM Entertainment. U-KISS’s ‘Neverland’ is an album that manages to draw the listener in from the start and you won’t find yourself skipping past many of the songs. A testament to how well paced the album is with good songs.

So in conclusion, hats off to U-KISS (with its current line-up)! You guys (along with B2ST) have move up several notches in the Korean boy band world and can proudly claim to be one of the best the Hallyu wave has to offer today. I won’t call myself a KissMe because being an adult male, that would be, erm, gayawkward — but consider this: I will buy ‘Neverland’ legally and (if I ever get the chance) I would be excited to see you guys perform live in concert!

My final rating: 4 out of 5 (Very Good)

*KissMe is the official fan club of U-KISS

Edit: Just saw this posted on U-KISS’s official website:

U-Kiss Neverland website description
LOL! What, they couldn't just ask Eli or Kevin to come up with a less cringe-worthy description?
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