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Dalmatian – ‘State of Emergency’ album review: A makeover in every sense

Another group I never thought I’d write about. When Dalmatian debuted, it was hard to take a boyband named after a cute breed of dogs seriously. Their songs didn’t do it for me either. “Round 1,” “Lover Cop” and “That Man Opposed” were not to my liking at all. In fact the only song I ever liked by them was the album track “Lost in Love“. But the one thing I did appreciate about the group was the members worked on many of the songs themselves, a rarity in K-pop.

But now, like a lot of their rookie peers, Dalmatian have gone though some changes. From an original line-up of six members, they’re now down to five. Member Day-Day left, new member Simon comes in, and brings with him perfect English skills. (Something which shines on this album)

Dalmatian State of Emergency members new lineup
Dalmatian, the current line-up

So why am I writing about a group I never cared for before? Because their comeback song is probably their best song to date!

Dalmatian State of Emergency album cover
In fact I gave the whole album a listen and felt the need to give the album some attention

Here’s a track-by-track review:

1. “E.R” – The lead single:

As soon as I heard this song, I couldn’t help but compare it to B2ST’s “Fiction”. The pacing, song structure and the melody all seemed similar, albeit with a few keys off. Still, I won’t call “E.R” a carbon copy of “Fiction” – because this song manages to sound so good on its own. It was only a few days back INFINITE came out with out with “The Chaser” and as an Inspirit, I find myself listening to “E.R” a lot more! – 4.5/5

The MV does everything to re-introduce Dalmatian to the world. Gone are the silly themes, aegyo-filled actions – this ‘new’ Dalmatian look serious and hard edged. They look pretty cool in fact, enough to separate them from the standard look of every other K-pop boy band. And although the choreography isn’t great, the MV still serves its purpose well.

2. “차 안에서 (Drive)” –  The second track keeps the pace on a high, but with a smoother jam. The beats are really nice, vocals even nicer and its yet another good track. There are lot of lines sung in English, and with Simon on board, it just sounds so much better when the accent and pronunciation is done right. –   4/5

3. “Hurt Me” – It was by this point I realized this was a good mini-album. The third track sounds like a boyband song from the late ’90s. The beats and the keyboard hook are reminiscent of teen-pop music of that era. Not really a ballad, but the tempo is a notch lower on this one. – 3/5

4. “Still By Ur Side” – Rounding up the songs on ‘State of Emergency,’ this is tookeeps the ‘feel’ consistent. Consider me impressed, I never expected a consistent tracklist like this. – 3/5

5. “E.R” (Instrumental) – I know it’s an instrumental, but I really enjoy listening to this a lot (but I’m not going to give it a rating though)

Dalmatian E.R MV screencap members
Good job guys

When your album only consists of 5 tracks (4 proper songs) and each one is good, if not great, then you know you have a good release in hand. Sure it’s only their second mini-album, but ‘State of Emergency’ is in my opinion Dalmatian’s best release to date. “E.R” is great single and I hope the boys get a taste of success this time around.

With INFINITE promoting “The Chaser,” I doubt Dalmatian have a shot at winning an award. But even if they don’t, I hope Dalmatian at least get taken seriously as a musical act. I’m sure it wouldn’t mean a lot more to the members given its been over one-and-half years since they debuted, and despite three singles, the group have yet to make much of an impact on the K-pop charts.

With a whole new image, a great new song, Dalmation shows it’s never too late to go in for a makeover. U-KISS did it last year and look at where they are now. I consider these changes as a sign of maturity in K-pop. When the ‘big 3’ entertainment companies went with a certain formula, every other idol wannabe went with the tried-and-tested to emulate the initial success K-pop saw. But the newbie agencies seem to have woken up to the fact the market is saturated with the same image and sound, and that if you want to set yourself apart from the rest, you best do something different. The fact that the album cover only shows ‘DMTN,’ you know whoever in charge at Monkey Funch Entertainment wanted people to forget the white suits with black spots. It’s a move I can commend.

My final rating for Dalmatian’s 2nd mini-album ‘State of Emergency’: 3.5 out of 5 (Pretty Good)

Miss A – ‘Touch’ review: You can’t judge an album by its lead single

Normally there are two conditions on which I decide to write a K-pop review. Either I should be a fan of the artist (SNSD, Rainbow, Jay Park, INFINITE) or the artist comes out with music I really end up liking (Block B, AA). The decision to write a review of Miss A’s new mini album was purely because I gave the album a chance.

I’m not a huge fan of the girl group, but nor do I dislike the girls. Miss A are just one among the many popular groups that I really don’t care much for (like 4Minute, MBLAQ) besides one or two of their songs. But like every new K-pop release, regardless of my past opinions of an artist, I don’t dismiss their new music right away until I listen to a few of the tracks.

It’s a move I didn’t regret with Miss A’s ‘Touch – The 4th Project

Miss A Touch 4th project mini-album coverHere’s a track-by-track review:

1. “Touch” – The title track and lead single:

Written and produced by JYP supremo Park Jin Young, “Touch” at first listen didn’t really win me over. In fact I stopped listening to it after the first chorus. One, it wasn’t a great song on first listen, and secondly, I found the dancing a bit… weird (I only heard the song once the music video was out). But since I decided to write this review, I gave it a couple of more listens and watched the MV in its entirety. It slowly grew on me.

“Touch” has a slightly haunting aura and an infectious hook to it. The vocals don’t ever soar but are well in line with the song’s melody. I still find the dance choreography a bit weird, so it’ll be interesting how the girls interpret it live on stage. Still, my stance hasn’t improved much since my first listen. It’s not that great a song for a lead single. – 3/5

2. “Lips” – Here now is when the album gets a lot better. Unlike “Touch,” this song instantly won me over! Produced by German producer and songwriter FUEGO, the same guy behind Chris Brown’s latest hit “Turn Up the Music,” “Lips” is pure electronic-pop. It’s got a great build up during the chorus, and unlike the current trend of forcing cheap, re-hashed hooks influenced by house music, “Lips” never strays into bad territory. Definitely one of the best tracks on the album! – 4/5

3. “Rock n Rule“- I anticipated rocking guitar sounds, but instead the third track is pure club Euro-pop. An uptempo, and uplifting dance track with a dubstep bridge (I’m honestly bored of dubstep now – everybody’s doing it!). It’s still a good song though, and suits Miss A’s image perfectly. – 4/5

4. “No Mercy” – Hard-hitting drums opens this fierce track influenced by Brit-pop music. It was by this time into listening to the album I knew I just knew I had to write this review. “No Mercy” may not make an ideal single, but it’s still an example of a fine album track. – 3.5/5

5. “Over U” – First thing that popped into my head when this song began? “Run Devil Run” and Britney Spears. Which only meant the production was foreign and surely European. And surely enough, they were. Deepfrost are the Norwegian team responsible for this song, and it’s another good addition to the album. – 3/5

6. “Touch (Newport mix)” – The final track on the album is a R&B remix of the title track, and you know what? I actually prefer this version over the one that got released! In my opinion, this production suits the song’s melody better. Was this how “Touch” was initially intended to sound? Because I’m not kidding when I say it genuinely sounds better this way.

As is the norm in K-pop, just about every idol group releases a first single which involves dancing. I don’t know if JY Park forced “Touch” to be turned into a more upbeat version, so that the choreographers to create a dance for it. I like to believe some of the moves in the dance choreography shows how forced it looks. Regardless, this remix gets another 4/5 from me!

Miss A Touch Jia Min Suzy Fei members korean girl group
A more mature Miss A this time around

JY Park’s productions have been a hit-or-miss for me. As much as I believe 2PM’s “Again & Again” is one of best k-pop songs by a boyband, I also rank “Hands Up” as one of the worst by a top-tier group. JY Park is responsible for pretty much every lead single for an artist coming coming out of the JYP label (even though Miss A are managed by subsidiary AQ Entertainment). At first I assumed releasing “Touch” as the lead single was a bit of a stubborn decision by JY Park when there were better tracks like “Lips” and “Rock n Rule,” but after listening to the album in its entirety, I feel Miss A’s comeback will still be successful. I’m sure they will perform the remix version of “Touch” on music programs and the album should win them a few awards in their promotion cycle.

But the real decision to write this review was so that I could give the other songs on the album the attention they deserve. And yes, the headline is a take on the phrase “You can’t judge a book by its cover“. In an industry where the norm for most K-pop albums are: “one great single, rest album fillers,” ‘Touch – The 4th Project‘ is a rare example of when the album tracks outshine the lead single.

JYP released the best K-pop album of last year (in my opinion) and if Miss A’s ‘Touch’ is any indication, I’m all the more looking forward to 2PM’s comeback this year. JYP has already kicked off 2012 with some good music, I just hope there’s more in the pipeline!

My final rating: 3.5 out of 5 (Pretty Good)



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