There are two British bands that I consider among my favourites from the 2000-era. First is Coldplay, the other is Keane. When I first Keane’s breakout hit “Somewhere I Only We Know” in early 2004, I decided to give their debut album Hopes and Fears a listen. The rest – as any Keane fan today will say – is history. I played the living crap out of that album! In office, I would play it for my co-workers. At home, I would have it on repeat. It was such a good album, from start to finish, I wouldn’t skip any of the tracks. It’s a modern-day classic, no doubt!
Keane followed it up with the brilliant Under the Iron Sea (2006) which I loved just as much. The then three-piece band strayed away from the norm two year later with Perfect Symmetry. I’ll admit, although the album contained some favourites like “You Haven’t Told Me Anything” and “Again and Again,” for the first time I wasn’t hooked on repeat listening to a Keane album. The band continued their experimental journey with 2010’s Night Train, an EP containing songs that were a mix of styles and genres, but still somehow retained the Keane touch.
Looking back, Keane have released an album every two years. Meaning, a new album was only due in 2012. Continue reading “Keane – ‘Strangeland’ album review: Melancholy, glee and melody make their remarkable return” »
After a string of good music, hit-after-hit and memorable victories, the rising stars of K-pop are set to continue their progress with a new album in Korean. But unlike some comebacks this year, will INFINITE’s comeback falter? Continue reading “INFINITE – ‘Infinitize’ album review: Great comeback, even greater success” »
