I’m writing this review a lot earlier than I expected to. As with all Linkin Park album releases, their new album has been leaked online more than a week in advance. It shouldn’t surprise anyone – even Mike Shinoda. Although my CD is already pre-ordered, I couldn’t help myself from finding what one of my favourite bands had in store with their follow up to 2010’s A Thousand Suns – an album that brought the band a lot of acclaim, and hate. I loved it, and hoped the band would pushing musical boundaries.
Linkin Park chose to work with legendary producer Rick Rubin again, the third time since ‘Minutes to Midnight‘ (2007). So how does the fifth studio album fare? More importantly, how does it sound?
I know it’s a dead giveaway to start a review like that but, it just had to be said. Ever since I heard some of the leaked tracks from a concert performance a few months back, even with the live recording, the songs sounded so damn good!
Journey's current line-up: (L-R) Jonathan Cain (keyboards, guitars), Arnel Pineda (lead vocals), Deen Castronovo (drums), Neal Schon (lead guitarist), Ross Valory (bass)
Journey’s ‘leader’ Neal Schon said in many interviews about this album that he wanted to make a more guitar-heavy record. Journey, despite their many strengths, are unfortunately known to the masses as the de facto ‘power ballad’ band. What started out as a Santana-esque rock band turned into a pop rock staple of early 1980s America.
Journey's 14th studio album and second with lead vocalist Arnel Pineda
On their latest album Eclipse, you still get a few ballads, the melody is very much there, but this album is stadium hard rock at its finest! Here’s my track-by-track review:
“City of Hope” – The opening track also happens to be band’s choice as a first single to promote ‘Eclipse’. It’s a good song with a hard-hitting opening, but honestly, I would have chose another track to best sell the sound Neal Schon wanted to promote Journey on this album. Good chorus and guitar riff, but it gets much better. – 3.5/5
“Edge of the Moment” – Now this would have been my choice for a first single. It sounds bad-ass! Melodic hard rock with a chorus only vocalists like Arnel could pull off. – 4.5/5
“Chain of Love” – One of the best songs on the album! A mystical opening that belongs to Jonathan Cain and Arnel Pineda, but then enters the territory of Neal Schon, Ross Valory & Deen Castronovo soon after. Love the chorus, it’s a sure-fire concert sing-along. – 5/5
“Tantra” – A power ballad with a very 80’s progressive sound. Arnel’s soaring vocals really makes this song what it is. Reminded me of Toto for some reason 🙂 – 4/5
“Resonate” – Another ‘favourite track’ on Eclipse. Mysticism sure was a sound they were going for with this album. – 5/5
“She’s a Mystery” – The most pop-rock sounding track on the album — but just like “Tantra,” it doesn’t stay that way through the end. The heavy sound kicks the door down two-thirds of the way in. – 3/5
“Human Feel” – Thumping drum beats carry the verses leading to a great bridge and chorus. – 4/5
“Ritual” – Very reminiscent of their 80s hits like “Be Good to Yourself”. – 3/5
“To Whom it May Concern” – Treading on 80s power ballad territory again with this one. – 3.5/5
“Someone” – A classic Journey song structure, similar to the many songs you have heard on Arrival and Revelation. – 3/5
“Venus” – An instrumental follow-up of “To Whom it May Concern” in which guitarist Neal Schon & Deen Castronovo rock away to close out the epic album.
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My tryst with Journey began oddly enough with (just) Steve Perry — his 1994 solo album to be more specific. I was born in 1982, a time when Journey were at their career peak… but it’s not like I was listening to music at that age. As I began listening to radio (Rick Dees Weekly Top 40 to be more precise), I heard Steve Perry’s “You Better Wait” from his For the Love of Strange Medicine album. Loved that song and it that made me go: “Man, he’s got such an amazing voice!”
Then came “When You Love a Woman” from the re-grouped Journey album Trial By Fire. That is when I first heard about the band. Then came the internet and my exploration into music from various eras. I listened to Journey’s top hits and figured they ‘surely must have more’. I then bought Journey’s Greatest Hits album in 2001 and with that, I officially became a Journey fan. That album and Def Leppard’s Vault had the same impact on me — they turned me into huge fans. Def Leppard and Journey are still two of my favourite bands of all time. Two 80’s staples that get a lot of crap because they are known for their radio hits and because they were “popular”. But I have never judged a band based on their hits alone. A true testament of how good a band really is how they perform live, and both Def Leppard and Journey, even after these years are going strong in the concert circuit — and sound good doing so.
But unlike Def Leppard, Journey has seen band members come and go like there’s no tomorrow. The only member to have been with Journey since inception has been their guitarist, Neal Schon. Steve Perry, the band’s iconic lead vocalist was a hard one to replace when he left for good. Steve Augeri did a fine job for a while. After Trial By Fire, Journey released “Remember Me” from the Armageddon OST with Steve Augeri on vocals and it’s a track I still rank among my favourites from Journey. Arrival (2001), the first album with Steve Augeri was a good effort, but far from being considered a memorable record. Jeff Scott Soto, their short-lived touring vocalist was… “meh”.
But ever since Arnel Pineda’s remarkable discovery in the Philippines, and how he became the lead vocalist of one of America’s greatest selling rock bands, Journey got a new lease of life. They have never sounded better. Revelation, their first album with Arnel Pineda was a very good album — but Eclipse is even better!
Clearly one of the best vocalists in the world right now
Journey unfortunately never made it that big outside of the US. Not that couldn’t, they just never tried. But now, millions of international fans know the band’s music thanks to their songs being featured on The Sopranos, Family Guy, many movie soundtracks and of course, Glee. And it’s only now the band seem to be making a conscious effort to reach out to their international fans.
Yes, Journey can be labeled ‘old,’ but their music still has an audience. Many of whom (like me) who miss melodic, beautiful, hard, guitar heavy rock!
Something Eclipse delivers in full force.
Overall album rating: 4/5 (Very Good)
Disclaimer: This review was based on a album preview available on Radio.com and tracks uploaded to YouTube. I will support the band by purchasing the CD when its available in India. Eclipse hasn’t sold much as Revelations did in its first few weeks, which is sad… because I consider Eclipse a ‘classic’ compared to its predecessor. So if you loved the songs, please do buy the album.
Edit:
Finally got my copy! Had to ask my friend in the Philippines to buy it for me as no store in Bangalore stocked it.
When I wrote my take on the first single off ‘A Thousand Suns’ — “The Catalyst,” some of the comments I got disagreed with my opinion, while some… well, just ranted without even making sense of what I wrote. What I did write was that I liked “The Catalyst,” and though it was very different from anything they had done before, I was still willing to listen to the whole album before I judge the direction Linkin Park was heading.
'A Thousand Suns' album cover
Since “The Catalyst” debuted, the comments online have been 50:50. 50% saying they hate the new sound and praying Linkin Park wouldn’t go all electronic. The other 50% saying they welcome the new sound and will always support Linkin Park because they feel it makes them “a real fan”.
Well guess what. The first 50% are going to be disappointed with ‘A Thousand Suns‘.
The sound is nothing like you have heard from Linkin Park before. If you are expecting anything close to a formulaic LP song structure from the Hybrid Theory-era, forget it. You won’t find it here.
Yes, it’s heavy on the electronic drum pad sounds and there isn’t a whole lot of ‘guitar’ on A Thousand Suns. But does that mean this album sucks and it’s end of Linkin Park as we know it? No.
Track by track review (ratings on a scale of 5):
1. The Requiem (2:01) – The album opener with lines from “The Catalyst” sung in a female voice
2. The Radiance (0:57) – interlude with a speech soundbite
3. Burning the Skies (4:13) – The first full-fledged track. A rather somber mid-tempo track with vocals sung by Chester Bennington and U2-esque guitars kicking halfway through. (3/5)
4. Empty Spaces (0:18) – another interlude
5. When They Come For Me (4:55) – Probably the only song from A Thousand Suns I can see drummer Rob Bourdon getting to really play his drums. This track belongs to Mike Shinoda on the vocals and features a heavy eastern-sound. (3.5/5)
6. Robot Boy (4:28) – I don’t really expect to hear the band perform this song a whole lot, not in its entirety anyway. It maybe over 4 minutes long but sounds like an extended interlude. (2.5/5)
7. Jonarda Del Muerto (1:34) – interlude (yeah, there’s a lot of that in this album)… but this time in Japanese — despite the title being Spanish. Go figure.
8. Waiting For The End (3:51) – When Chester sings the first line, it sounds like sounds the same as Elbow’s “On a Day Like This“. Still, after hearing this I feel like Chester’s getting bored of screaming the shit out of his throat and sometimes just wants to sing. Confirmed by the band to be the second single. (3.5/5)
9. Blackout (4:39) – At first I was like 🙂 … then I started nodding my head… and then I was like :D… and then it stayed like that until 2:12! My favourite song on the album! Oh, and about Chester getting “bored of screaming,” I take it back. (4.5/5)
10. Wretches and Kings (4:15) – The second track released online. I didn’t like it when I first heard it last week, I don’t like even now. It’s not a great song but it is the closest to a Mike Shinoda-rapping verses, Chester-singing chorus combination you’ll get on A Thousand Suns. (2/5)
11. Wisdom, Justice, and Love (1:38) – another interlude with a speech soundbite
12. Iridescent (4:56) – A Chester Bennington ballad that will sound better live. (3.5/5)
13. Fallout (1:23) – the last interlude of the album
14. The Catalyst (5:39) – The first single off A Thousand Suns and one of the best tracks on the album. Once you hear the entire album, the placing of “The Catalyst” in the track list makes a lot more sense. I’m SO going to sing-along to this live. (4/5)
15. The Messenger (3:01) – An acoustic song on a Linkin Park studio album. Yup. (3/5)
Conclusion:
I’ll reiterate, A Thousand Suns is going to be a huge disappointment for some “hardcore” LP fans, and to other “real fans,” they’ll appreciate the effort even if they don’t like it — if only to show their support. Which camp do I belong to?
Neither.
I love Linkin Park. In 2000, ever since I heard “One Step Closer,” they were my favourite nu-metal band — the genre label slapped on to bands like LP and the genre kick-starters Limp Bizkit. I owned the latter’s Significant Other and Chocolate Starfish and the Hot Dog Flavored Water (loved both) but I still felt Hybrid Theory was a better example of a fusion between rap and rock . (That and the fact Fred Durst sounds like a wuss compared Mike Shinoda’s rapping)
To me though, Meteora (2003) remains my favourite Linkin Park album. It was a good showcase of all Linkin Park could do at the time — be it the (still)awesome “Faint,” great rock ballads or even songs like “Breaking the Habit“. But then they decided to hire legendary producer Rick Rubin and sought a more organic sound for their third studio album. Fine, I’m all for experimentation if the outcome is still good music, but outside of favourites “Bleed It Out,” “Hands Held High” and “No More Sorrow,” Minutes to Midnight was a disappointment for me.
Like many, I too was hoping for a return to ‘form’ (more Meteora than Hybrid Theory) but I guess we’ll have to wait a bit longer for that.
A Thousand Suns is yet another attempt by Linkin Park to try something different. Some will call this a step in the wrong direction but I’m going to commend LP for it. Thought the track list numbers 15, only 9 are proper songs — and I still prefer A Thousand Suns to Minutes to Midnight. And yes, like my previous post, some commenters will call me “crazy” — but it’s okay. This is the internet, people can call me whatever their immature mindsets churn out.
I’m someone who listens to a wide variety of music. From classic rock to pop, from trance to easy-listening, from 90s hip-hop to even korean pop — my ears are all open to good music. I’m sure the members of Linkin Park are like that too. Some metal fans just can’t seem to comprehend their favourite musicians actually appreciating genres outside of the ones that made them famous — but like it or not, it’s nothing new. Real musicians (and music lovers) don’t restrict themselves to just one single genre.
Everybody has the right to listen to whatever pleases them. I’m also not the kind of person who goes around calling Justin Bieber “gay” just because I don’t like his music (btw, I don’t like his music). And just like I never lost any love for Keane (one of my favourite bands) because they too broke away from their “signature sound” on their third album, I’m not going to lose hope on Linkin Park either. I’m still going to buy this album. If not for how much I liked it, at least so they continue to make music — and more importantly, one day tour India.
Linkin Park will eventually get back to a sound that made them world famous. They all do. It’s just that, after 50 million in album sales, a loyal fanbase on every continent, 2 Grammy awards, Linkin Park are in a position to do what they like. While they may lose some fans with A Thousand Suns, Linkin Park will always have an army of supporters large enough to keep them rocking.
Disclaimer: I reviewed this album based on an illegal download. I’m still going to buy the album when it’s officially out in India and if you want to better the chances of seeing your favourite band tour your country, I’d suggest you do the same. Album sales are figures used to draw an artist to a particular country.
EDIT: I finally got my copy of ‘A Thousand Suns,’ the CD + DVD edition.
The DVD features a 30-minute behind-the-scenes ‘making of’ documentary. It was okay.
