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Max Martin

Max Martin – The greatest pop music producer ever(?)

I’ve been meaning to work on this project for quite some time now. Even back in 2008, when I was working at AOL, I felt like pushing this feature out for the portal I worked at – but I felt other than me, nobody else would care. Last week I said: “Screw it, I’m doing it… even if it gets taken down on copyright violation claims!”

As a kid growing up in the ’90s in Bahrain, I was quite literally raised on radio. I couldn’t think of a day I didn’t switch on to listen to Radio Bahrain, which played a lot of UK chart music back then. I also began reading pop magazines like Smash Hits and buying cassettes of albums I liked.

By the mid-to-late 90s, Backstreet Boys and ‘N Sync were very much a part of the pop music business. Whenever I went through the inlay cards of the albums I bought, I kept seeing some common names when reading the song credits, and Max Martin was one of them. The others were (his mentor) Dennis Pop, Kristian Lundin, Rami Yacoub, Andreas Carlsson and Per Magnusson – to name a few. Mind you, there are other co-writers and co-producers who deserve a mention, but I can’t list them all!

I won’t get into his whole bio – you have Wikipedia for that – but consider this: chances are you haven’t heard of Max Martin, but you have heard his music!

Max Martin
He’s quite media shy, despite the ubiquitous nature of his musical productions.

So here’s my video tribute to Swedish producer and songwriter Martin Samberg – or Max Martin as he likes to call himself. Why? Here’s why:

Now, I know some of you maybe thinking “Man, you got the chronology all wrong”. But I didn’t. I just went with the years I first heard the songs. In particular Backstreet Boys and ‘N Sync – both of whom debuted in Europe and Asia long before they struck gold (and multi-platinum) back in their home country. For example, ‘Backstreet’s Back‘ (the 2nd album) was never released in America because by the time “Quit Playing With My Heart” (the last single from the first album) gained airplay in the US, Backstreet Boys were already superstars in Europe and Asia. So when it came time to release a first album in America, they merged both their debut album and the second album into one.

‘N Sync debuted in Europe with “Here We Go” all the way back in 1996, but it wasn’t until 1998 “I Want You Back” got a music video makeover and was released as the first single for ‘N Sync’s American debut.

Also, in case people were wondering where I stood: ‘N Sync > Backstreet Boys.

Sorry, I still like them, believe in ‘KTBSPA‘and look forward to their new album next year (in which I hope to see a Max Martin contribution)… but somehow ‘N Sync had the ‘it’ factor. Kind of like with One Direction over The Wanted now.

Oh yeah, about the quality of the video. Sorry, I know it’s 2012 and 480p is so 2006, but I had to download all the videos off of YouTube, convert them from .flv to .m4v just so iMovie ’09 would open them. And some of these videos are pretty old (heck, most weren’t even in widescreen format). I’m no pro editor, I created the whole thing in a few days using a hand-me-down Macbook Pro I just got recently. So pardon the amateur cuts. I tried my best.

I know there were other hits I missed but I could only cram as much in under 15 minutes. I left out Celine Dion’s ‘One Heart,’ will.i.am’s “This Is Love” and Adam Lambert’s “Whataya Want From Me” just to make space for the others. Again, if you want Max Martin’s entire discography, check Wiki or Maratone.se (Max Martin’s own studio).

If you guys have any other feedback, or would just love to chat about the good ‘ole late ’90s, gladly leave a comment below! 🙂

P.S: Here’s that last image I used, in case you didn’t get to read it all:

Swedish pop music producers
I only listed a few songs done by these guys. There’s LOTS more!

P.P.S: Ha ha, a viewer of my video just shared this video of Max Martin’s old band ‘It’s Alive’:

U-Kiss Stop Girl members promo

U-KISS – ‘Stop Girl’ album review: Smooth and sexy comeback

After the disappointing “Dora Dora,” I was hoping U-KISS would make a comeback with a better track. Hopefully one produced by Ryan Jhun – the producer behind last year’s “Neverland” and “Tick Tack” – both of which made me really like the group. Thankfully, this comeback sees U-KISS return to form!

U-Kiss Stop Girl members promo
The now six-member U-KISS with their seventh mini-album

Here’s a track-by-track review:

01. “Imma New Thang (Intro)” – A thumping 30-second instrumental opening to the album

02. “Stop Girl” – Production duo Ryan Jhun & JD Relic team up again for this smooth mid-tempo jam:

For the first time in their nearly 5-year career, U-KISS has a contemporary, mature, slick lead single – instead of their tried and tested hook-driven dance songs. The teasers hinted “Stop Girl” would be paced a little slow and sexy, and it is. The vocals and rap fit beautifully, and although the first released MV is a ‘black & white’ edit, the choreography is good enough to be judged (the inclusion of female dancers is a welcome change).

The overall production is top-notch and the instrumentals feel really crisp. Definitely leaps and bounds over “Dora Dora,” but then again, I guess that’s difference you get with Marcan Entertainment‘s production. A really good song. – 5/5

03. “Time to Go” – An intro first heard in 2011, now extended into a full-fledged track on this album. The beats are thumping, the melody is consistent with the ‘dark and sexy’ vibe, but other than that, this feels so much like an album track. One that would have never had a chance as a single. – 2.5/5

04. “Remember (Acoustic version)” – A ballad originally featured on the OST of K-drama ‘Syndrome,’ the acoustic version gives an even better showcase of the power vocals within the group. Soohyun and Kevin prove they have the vocal chops to be taken seriously among idols (especially Kevin) and this ballad is otherwise a really good listen. – 3.5/5

05. “Sexy Baby” – Keeping with the sexy vibe, the last Korean track on the mini-album is a mediocre album filler. “You’re my sex-y babe-ay“. Erm, there’s little else I can say about that. – 2/5

06. “Stop Girl” (English version) – It was fairly obvious from the sound “Stop Girl” (most likely) was written in English first. And having two members fluent in English (Eli and Kevin), it would have been an opportunity lost if they had not recorded an English version. Sure, the native Korean members have accents that are easy to make out, but some members like Dong Ho ace their lines. Imagine if they could all sing in English, U-KISS could have truly been an international idol group. – 3/5

07. “Stop Girl” (Instrumental) – Not rating this.

Bonus mention: “Cinderella” – Released a few weeks ago as a digital single, this mid-tempo track has been on my mp3 playlist ever since! I don’t know why it wasn’t included in this mini-album as an album track. Although “Stop Girl” is a better single, “Cinderella” is a great track on its own. – 4/5

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With their seventh mini-album, and a member gone (AJ is studying in the US), U-KISS are still without a win on a music program in South Korea. Down to six members, the group still have the core essentials needed for an idol group and are doing well with each successive release – be it in Korea or Japan. And as much as their international fanbase remains loyal, I can’t help but pray “Stop Girl” nets these boys their first award. Heck, they deserve at least one after all these years!

‘Stop Girl’ the mini-album isn’t much of a compilation to speak off. One great single with a bunch of left-over remixed and thrown in. Still, reviewing it a whole, U-KISS’ latest effort – and probably the last one for 2012 (man, time flies!) – still gets a 3 out of 5 from me. That means ‘Good’.

BoA The Shadow mv screencap

K-pop Round-up-Review: BoA, KARA and G-Dragon

The good, the bad and the ugly. Although it’s the title of a classic Western, that’s exactly how I felt reviewing these new releases in the third edition of Round-up-Review.

BoA – “The Shadow”
BoA The Shadow mv screencap

Korea’s ‘Queen of Pop’ – BoA -has been around the music scene for over a decade. And she’s only 25. Given BoA was only 13 when she debuted, and despite the fact there are K-pop idols older than her, Kwon Boa is still considered a ‘senior’ artist by her peers. Continue reading “K-pop Round-up-Review: BoA, KARA and G-Dragon” »

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